This is the most melodic track ever written, by me. For all the spazz funk dancers, the end section is 4000 beats per minute. Don't not check this technical masterwork from the Hand Clappers.

An interesting piece, it caused a massive stir when it was released because of the lyrics. Swearing was considered offensive in the 50's. This is a remix done by Dr Dre, basically he reversed the original track.

After the success of the first Robocop film, the shiny metal assed hero was on top of the world. While there, he joined another A List celebrity, Steven Seagal, and recorded this amazing spazz funkcore track.

Mike Hock wrote this for all the people out there who work too hard and need a holiday. One listen to this track will and you will be on your own magical mystery island, guaranteed.

After the success of "Demolition Man", Wesley Snipes was on top of the world. Listen to how he beats stuff up, including the following such items: machine, policeman, ringmaster FEAT Bile Duct Wizard.

I have to give all the credit to Slash for this track. His incredible guitar solo turns this song into an absolute monster. Thanks to 'Smalls' and Steven Seagal for production.

LYRICS (C) MIKEHOCK 2004

This song is about my philosospsophy in life. Guest guitars by SCIMPSLOT KRON, BLIMP TROZKITS and Michael Amott from ARCH ENEMY. FU ALL. CONTAINS FREE SAMPLES LAST 20 SECONDS FOR U USE IN SONG

Great vocal beats, check it out ya'll. Thanks to Steve M.Blonga for beats, Jeff Terpentine for hardcore. KEEP IT REAL!

A ballad about the love and the doves that fly high into the sky FEAT CELINE DION and DANZIG on slap bango funk mission.

A politcal rant against the suffering of funk music. This innovative track was recorded live in the streets of London, UK.

This is from our massive set played live at the filmore in 2004. One of our greatest events and the crowd went crazy. If you listen to one song this year, this is it. Feat Paul Wellar, Quaid, Steevvee, Eddy Wood Ed, Monkeys, Thing

A super mega ultra mix of tracks I threw together for some of the world's biggest movies. DO NOT MISS THIS FRESH BREAK SLICE!

This is a track I wrote as Finland's 1981 entry to the eurovision song contest. In a bizarre twist of fate, James Cameron was directing the show. He heard the song, then had the idea for the Terminator film. He screwed me over on the contract though.

The **LIVE** version of the timeless classic Pimpin Is Easy. Peter Wellar (ROBOTIC ACTOR) guest vocals. He is a unique performer.

This was the original track for the film Bevely Hills Cop. The song was based on a melody written by Peter Weller while in make up on the set of Robocop.

William Shatner. FULL STOP. PERIOD. Other credits: Arnold 'Arnie' Swachcnneggger for beatbox.

Steven Seagal provides black belt funk guitar. Unfortunatley, this great track was ruined when Bob Fleming, friend of Mike Hock, coughed over the final mix, however this didn't stop it from reaching number 7 in the Uganda Jazz Chart.

This jazz-slice-cut took a lot of criticism when first unleashed in Birmingham. WARNING: CONTAINS HAPPY HARDCORE, DO NOT LISTEN! (EAR DAMAGE NOTICE)

This song has been remixed by modern music maker DILLINJA. He adds his unique flavour to Mike Hock's ideas, also FEAT. Michael 'Mikey Mike' Michaelson, Steven 'Stevie Steve' Stevenson + Stevie Wonder on xylophone.

Credits: Concept and motivation: Mike Hock. Ideas: Mike Hock. Sub bass development: Steven 'Steve' M.Blonga. Hardcore section: Jeff Turpentine feat Nas + Gabrielle. Vocal layout+constructs: Craig 'The Voice' David. Everyone else: thanks.

Angry at all the posers in the Spazz Funkcore crowd whoo ready to sellout and use faggot instruments like synths, Mike Hock kept it real by eating his own poo and getting nowhere slow. Feat freestyle rap by the man himself, Sir Mike Hock.

During the midst of a drug filled drug eating drugathon, Mike Hock sneezed on the studio dials and created this classic slice of jam.

This is Lord of the Rings film score remix (REJECTED SCORE)

After a 20 year experiment Mike Hock has produced some results. This is a test to see if people can tell the difference between live music and eletricly made music using circuits. First you hear A clip, then the electric clip B. Notes for help!